

Gurus DELHI-AJRADA-GHARANA (STYLE) – Shree Divyang Vakil BENARAS-GHARANA STYLE – late Pt nandan Mehta & Pt Puran Maharaji & smt. Manju Mehta DELHI-AJRADA-GHARANA (STYLE) – Shree Divyang Vakil Jay's learning in tabla started at the age of 4 under the mentorship of Shree Divyang Vakil, a disciple of three prominent maestros of Tabla – late Pt Sudhirkumar Saxena of Ajrada-Gharana, late Ustad Latif Ahmed Khan of the Delhi-Gharana and late Ustad Alla Rakha, the doyen of Punjab-Gharana. BENARAS-GHARANA STYLE – late Pt nandan Mehta & Pt Puran Maharaji & smt. Manju Mehta By the age of 9, jay started going to the Saptak School of music, in order to further his training. At this institution, he received Taleem (vigorous training) of tabla-playing in the Benaras-Gharana. Dada Guru Late Pt Kishan Maharaj had an enormous amount of influence towards the style of tabla-playing taught at Saptak. Hence, Jay got trained in the Benaras-Gharana Style, by his gurus late Pt Nandan Mehta and Pt Puran Maharaj. Guru Shree late Pt Nandan Mehta Pt Nandan Mehta's training in Tabla started at the age of eight, under the tutelage of Shree Sadashivrao Lutde. Later, he started taking intensive training from the late Maestro Pt Kishan Maharaj. Since then, he had always been deeply involved in the field of music and had been one of the prime students of Pt Kishan Maharaj. Pt Nandan Mehta holds a highly respectable position in the Indian classical musical arena, and had performed with great artists such as Ustad Rashid Khan, Pt Jarsaj, Smt Kishori Amonkar, Ustad Sultan Khan, Ustab Amjad Ali Khan and the like. Through his strict and traditional teaching methods, Pt Nandan Mehta imbibed in Jay, the valuable qualities of Riyaaz (vigorous practice), sincerity, dedication, utmost discipline, and respect towards one's Guru and also, towards music. Guru Shree Pt Puran Maharaj |